Reference Quarterly, Volumen18Reference and User Services Association, 1978 |
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Página 156
... notes of a melody rise or fall is as singular as any person's fingerprints . The silhouette of notes on stave is a dead giveaway . It follows that for purposes of identification clef , key and time signatures , phrasing , and rhythm are ...
... notes of a melody rise or fall is as singular as any person's fingerprints . The silhouette of notes on stave is a dead giveaway . It follows that for purposes of identification clef , key and time signatures , phrasing , and rhythm are ...
Página 158
... note a sharp except B. The com- poser's first six notes are A # D # A # G # A # D # , which Barlow transposed to EAEDEA for his Notation Index . The fourth entry shown above is iden- tified by its serial number B229 . The quo- tation ...
... note a sharp except B. The com- poser's first six notes are A # D # A # G # A # D # , which Barlow transposed to EAEDEA for his Notation Index . The fourth entry shown above is iden- tified by its serial number B229 . The quo- tation ...
Página 159
... notes was an expedient worthy of a great innovator . ) I suspect that McAll chose to work with but three intervals because three are man- ageable . The first three distinct intervals or first four notes of a composition can be sorted ...
... notes was an expedient worthy of a great innovator . ) I suspect that McAll chose to work with but three intervals because three are man- ageable . The first three distinct intervals or first four notes of a composition can be sorted ...
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