Joanna Baillie, a Literary LifeFairleigh Dickinson University Press, 2002 - 325 páginas Joanna Baillie: A Literary Life is the first full-length biography of the Scottish playwright (1762-1851) based on new archival research, biographical evidence, and critical commentary. The work begins with a chronology listing family births, marriages, and deaths and adds publication dates and performance dates for Baillie's plays. After the Introduction's statement of purpose and theoretical stance, chapter 1 provides an account of Baillie's childhood and education based on archival research and on her own autobiographical papers. The ensuing chapters move through her most creative and theoretical years toward her death in 1851. Biographical evidence and critical commentary about her works are arranged chronologically, with chapter 3 dedicated almost solely to Baillie and Sir Walter Scott. Chapter 4 follows with accounts of other relationships which paralleled most of those same years. Chapter 5 continues with a focus on Baillie's religious philosophy and on her final years of copious publishing, while chapter 6 marks her death and subsequent estimation. |
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Página 20
... Baillie , whose long life presents " dry periods " for which there is little or no biographical evidence , the biographer must sometimes try to read what is not written , especially with Baillie's correspondence . Before her paradoxical ...
... Baillie , whose long life presents " dry periods " for which there is little or no biographical evidence , the biographer must sometimes try to read what is not written , especially with Baillie's correspondence . Before her paradoxical ...
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... Baillie " , her famous anatomist brother . Even more detrimentally , she diminishes Baillie's achievement by wondering “ whether in selecting the drama as her path of literature , [ Baillie ] judged wisely . " 9 Further , Burroughs ...
... Baillie " , her famous anatomist brother . Even more detrimentally , she diminishes Baillie's achievement by wondering “ whether in selecting the drama as her path of literature , [ Baillie ] judged wisely . " 9 Further , Burroughs ...
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... Baillie's last letter to Lawrence in December 1829 thanked him for reserving a box for her at Covent Garden , where she saw the young Fanny Kemble in her debut as Juliet in Romeo and Juliet . 153 Around 1820 Joanna Baillie had became ...
... Baillie's last letter to Lawrence in December 1829 thanked him for reserving a box for her at Covent Garden , where she saw the young Fanny Kemble in her debut as Juliet in Romeo and Juliet . 153 Around 1820 Joanna Baillie had became ...
Contenido
Preface | 9 |
Chronology | 25 |
Theatre Theory and the Price | 70 |
Derechos de autor | |
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Términos y frases comunes
Aikin Annabella Anne appeared Baillie wrote Baillie's Baillie's plays Barbauld biographical brother Burroughs character church Coleridge comedy correspondence Crainz critical daughter death Denman drama Drury Lane early Edgeworth Edinburgh edition England Ethwald Family Legend father Five Acts Fugitive Verses George Glasgow Hampstead Hemans Henrietta Herschel Ibid James Baillie Joanna and Agnes Joanna Baillie John Herschel John Hunter Kemble Lady Byron later Letters Library literary lived Lockhart London Longman Lord Byron Lucy Aikin Margaret Holford Hodson Maria Edgeworth marriage married Mary Berry Matthew Baillie Metrical Legends Milligan Miss Monfort Montgomery mother nephew William Norton Oxford passions performed playwright poet poetry published Review Royal Samuel Scotland Scottish Series of Plays Siddons sister Sophia stage Theatre Thomas tragedy University of Glasgow University Press verse vols volume wife William Baillie William Hunter William Sotheby William Wordsworth woman Women Writers Wordsworth writing