Lectures on the English PoetsT. Miller, 1819 - 331 páginas |
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Página 13
... common love of strong excitement . As Mr. Burke observes , people flock to see a tragedy ; but if there were a public exe- cution in the next street , the theatre would very soon be empty . It is not then the difference be- tween ...
... common love of strong excitement . As Mr. Burke observes , people flock to see a tragedy ; but if there were a public exe- cution in the next street , the theatre would very soon be empty . It is not then the difference be- tween ...
Página 16
... common sense and reason for the end and use of poetry , " both at the first and now , was and is to hold the mirror ... common portrait , as the poet to describe the most striking and vivid impressions which things can be supposed to ...
... common sense and reason for the end and use of poetry , " both at the first and now , was and is to hold the mirror ... common portrait , as the poet to describe the most striking and vivid impressions which things can be supposed to ...
Página 17
William Hazlitt. in the language of common conversation . Let who will strip nature of the colours and the shapes of fancy , the poet is not bound to do so ; the im- pressions of common sense and strong imagina- tion , that is , of ...
William Hazlitt. in the language of common conversation . Let who will strip nature of the colours and the shapes of fancy , the poet is not bound to do so ; the im- pressions of common sense and strong imagina- tion , that is , of ...
Página 22
... common humanity . They seem to have no sympathy with us , and not to want our admiration . Poetry in its matter and form is natural imagery or feeling , combined with passion and fancy . In its mode of conveyance , it combines the ...
... common humanity . They seem to have no sympathy with us , and not to want our admiration . Poetry in its matter and form is natural imagery or feeling , combined with passion and fancy . In its mode of conveyance , it combines the ...
Página 23
... sounds themselves , which are the voluntary signs of certain ideas , nor in their gram- matical arrangements in common speech , is there any principle of natural imitation , or correspond- ence to ON POETRY IN GENERAL . 23.
... sounds themselves , which are the voluntary signs of certain ideas , nor in their gram- matical arrangements in common speech , is there any principle of natural imitation , or correspond- ence to ON POETRY IN GENERAL . 23.
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admirable affectation appear Ballads beauty Beggar's Opera blank verse Boccaccio character Chaucer common Cutty Sark death delight describes doth Dryden Edinburgh Review equal excellence face Faery Queen fame fancy feeling finest flowers genius give Gonne grace Gulliver's Travels happy hates hath heart heaven hire Homer human idea images imagination interest kind Knight's Tale labour language lazy learned less light lines living look Lord Lord Byron Lyrical Ballads manners Milton mind moral Muse nature never o'er objects painted passion pathos person pleasure poem poet poetical poetry Pope praise prose racter reader rhyme satire sense sentiment Shakspeare shew song soul sound Spenser spirit spring story style sweet ther thing thou thought tion Titian tree truth verse Whan wings wolde words Wordsworth writer wyllowe-tree youth