Lectures on the English PoetsJ. Templeman, 1841 - 407 páginas |
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Página 4
... fancy that they are , because we wish them so , there is no other nor better reality . Ariosto has described the loves of Angelica and Medoro : but was not Medoro , who carved the name of his mistress on the barks of trees , as much ...
... fancy that they are , because we wish them so , there is no other nor better reality . Ariosto has described the loves of Angelica and Medoro : but was not Medoro , who carved the name of his mistress on the barks of trees , as much ...
Página 6
... fancy , and to relieve the aching sense of pleasure by ex- pressing it in the boldest manner , and by the most striking examples of the same quality in other instances . Poetry , according to Lord Bacon , for this reason , " has ...
... fancy , and to relieve the aching sense of pleasure by ex- pressing it in the boldest manner , and by the most striking examples of the same quality in other instances . Poetry , according to Lord Bacon , for this reason , " has ...
Página 8
... fancy and feeling . As , in describing natural objects , it impregnates sensible impressions with the forms of fancy , so it describes the feelings of pleasure or pain , by blending them with the strongest movements of passion , and the ...
... fancy and feeling . As , in describing natural objects , it impregnates sensible impressions with the forms of fancy , so it describes the feelings of pleasure or pain , by blending them with the strongest movements of passion , and the ...
Página 14
... . " This is equally the origin of wit and fancy , of comedy and tragedy , of the sublime and pathetic . When Pope says of the Lord Mayor's shew , — - " Now night descending , the proud scene is o'er 14 ON POETRY IN GENERAL .
... . " This is equally the origin of wit and fancy , of comedy and tragedy , of the sublime and pathetic . When Pope says of the Lord Mayor's shew , — - " Now night descending , the proud scene is o'er 14 ON POETRY IN GENERAL .
Página 15
... the language of the imagination and the passions , of fancy and will . Nothing , therefore , can be more absurd than the outcry which has been sometimes raised by frigid and pedantic critics , for re- ducing ON POETRY IN GENERAL . 15.
... the language of the imagination and the passions , of fancy and will . Nothing , therefore , can be more absurd than the outcry which has been sometimes raised by frigid and pedantic critics , for re- ducing ON POETRY IN GENERAL . 15.
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admiration Æneid affectation artificial Ballads beauty Beggar's Opera blank verse Boccaccio character Chaucer common death delight describes dramatic epic poetry equal excellence Faery Queen fame fancy feeling flowers forms genius give grace hand happy hates hath heart Heaven Herbert Croft hire human idea images imagination instance interest Knight's Tale labour language less lines living look Lord Byron Lordship Lycidas Lyrical Ballads manners Milton mind moral Muse nature never o'er objects painted Paradise Lost passion pathos perhaps person pleasure poem poet poetical poetry Pope Pope's praise prose racter reader rhyme seem'd sense sentiment Shakspeare Shakspeare's sing song soul sound Spenser spirit spring story style sublime sweet thee ther thing thou thought tion Titian tree truth verse wind wings words Wordsworth write youth