Lectures on the English PoetsJ. Templeman, 1841 - 407 páginas |
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Página 9
... force of comparison or contrast ; loses the sense of present suffering in the imaginary exaggeration of it ; exhausts the terror or pity by an unlimited indulgence of it ; grapples with impossibilities in its desperate impa- tience of ...
... force of comparison or contrast ; loses the sense of present suffering in the imaginary exaggeration of it ; exhausts the terror or pity by an unlimited indulgence of it ; grapples with impossibilities in its desperate impa- tience of ...
Página 12
... force . Impassioned poetry is an emanation of the moral and intellectual part of our nature , as well as of the sensitive --- of the desire to know , the will to act , and the power to feel ; and ought to appeal to these different parts ...
... force . Impassioned poetry is an emanation of the moral and intellectual part of our nature , as well as of the sensitive --- of the desire to know , the will to act , and the power to feel ; and ought to appeal to these different parts ...
Página 31
... multitude of things in Homer is wonderful ; their splendour , their truth , their force , and variety . His poetry is , like his religion , the poetry of number and form : he describes the bodies as well as the ON POETRY IN GENERAL . 31.
... multitude of things in Homer is wonderful ; their splendour , their truth , their force , and variety . His poetry is , like his religion , the poetry of number and form : he describes the bodies as well as the ON POETRY IN GENERAL . 31.
Página 35
... force of the character he impresses upon them . His mind lends its own power to the objects which it contemplates , instead of borrowing it from them . He takes advantage even of the nakedness and dreary vacuity of his subject . His ...
... force of the character he impresses upon them . His mind lends its own power to the objects which it contemplates , instead of borrowing it from them . He takes advantage even of the nakedness and dreary vacuity of his subject . His ...
Página 45
... force to his power of observation . The picturesque and the dramatic are in him closely blended together , and hardly distinguishable ; for he principally describes external appearances as indicating character , as symbols of internal ...
... force to his power of observation . The picturesque and the dramatic are in him closely blended together , and hardly distinguishable ; for he principally describes external appearances as indicating character , as symbols of internal ...
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admiration Æneid affectation artificial Ballads beauty Beggar's Opera blank verse Boccaccio character Chaucer common death delight describes dramatic epic poetry equal excellence Faery Queen fame fancy feeling flowers forms genius give grace hand happy hates hath heart Heaven Herbert Croft hire human idea images imagination instance interest Knight's Tale labour language less lines living look Lord Byron Lordship Lycidas Lyrical Ballads manners Milton mind moral Muse nature never o'er objects painted Paradise Lost passion pathos perhaps person pleasure poem poet poetical poetry Pope Pope's praise prose racter reader rhyme seem'd sense sentiment Shakspeare Shakspeare's sing song soul sound Spenser spirit spring story style sublime sweet thee ther thing thou thought tion Titian tree truth verse wind wings words Wordsworth write youth