Simón BolívarGarnier Hermanos, 1883 - 352 páginas |
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Página iv
... continuo . Selections . Six sonatas for solo violin and continuo . ( Recent researches in the music of the classical era ; v . 13 ISSN 0147-0086 ) Unfigured bass realized for keyboard instrument . Edited principally from a ms . in the ...
... continuo . Selections . Six sonatas for solo violin and continuo . ( Recent researches in the music of the classical era ; v . 13 ISSN 0147-0086 ) Unfigured bass realized for keyboard instrument . Edited principally from a ms . in the ...
Página v
... Continuo 1 Sonata 2 for Violin and Basso Continuo 5 Sonata 3 for Violin and Basso Continuo 12 Sonata 4 for Violin and Basso Continuo 17 Sonata 5 for Violin and Basso Continuo 23 Sonata 6 for Violin and Basso Continuo Sonata 7 for Two ...
... Continuo 1 Sonata 2 for Violin and Basso Continuo 5 Sonata 3 for Violin and Basso Continuo 12 Sonata 4 for Violin and Basso Continuo 17 Sonata 5 for Violin and Basso Continuo 23 Sonata 6 for Violin and Basso Continuo Sonata 7 for Two ...
Página x
... Continuo Michel Corrette , in the preface to one of his treatises on accompaniment , discusses the introduction of Italian music into France at the end of the seventeenth century and states that French musicians were at first unable to ...
... Continuo Michel Corrette , in the preface to one of his treatises on accompaniment , discusses the introduction of Italian music into France at the end of the seventeenth century and states that French musicians were at first unable to ...
Página xvii
... continuo figuration . Editorial cautionary accidentals are in parentheses . Basso continuo figures present in the sources are gen- erally retained in the edition . The few that have been omitted or altered are listed below in the ...
... continuo figuration . Editorial cautionary accidentals are in parentheses . Basso continuo figures present in the sources are gen- erally retained in the edition . The few that have been omitted or altered are listed below in the ...
Página xviii
... continuo , beat 3 is dotted half - note in the 1728 source and half - note followed by quarter - rest in the later edition ; the fermata in the later edition may indicate that Leclair intended an ad libitum cadenza at this point . M. 27 ...
... continuo , beat 3 is dotted half - note in the 1728 source and half - note followed by quarter - rest in the later edition ; the fermata in the later edition may indicate that Leclair intended an ad libitum cadenza at this point . M. 27 ...
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