Lectures on the English PoetsWiley and Putnam, 1845 - 255 páginas |
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Página 3
... fancy that they are , because we wish them so , there is no other nor better reality . Ariosto has described the loves of Angelica and Medoro : but was not Medoro , who carved the name of his mistress on the barks of trees , as much ...
... fancy that they are , because we wish them so , there is no other nor better reality . Ariosto has described the loves of Angelica and Medoro : but was not Medoro , who carved the name of his mistress on the barks of trees , as much ...
Página 4
... fancy , and to relieve the aching sense of pleasure by expressing it in the bold- est manner , and by the most striking examples of the same quali- ty in other instances . Poetry , according to Lord Bacon , for this reason , " has ...
... fancy , and to relieve the aching sense of pleasure by expressing it in the bold- est manner , and by the most striking examples of the same quali- ty in other instances . Poetry , according to Lord Bacon , for this reason , " has ...
Página 5
... fancy and feeling . As , in describing natural objects , it impregnates sensible impres- sions with the forms of fancy , so it describes the feelings of plea- sure or pain , by blending them with the strongest movements of passion , and ...
... fancy and feeling . As , in describing natural objects , it impregnates sensible impres- sions with the forms of fancy , so it describes the feelings of plea- sure or pain , by blending them with the strongest movements of passion , and ...
Página 9
... folly . Poetry is , in all its shapes , the language of the imagination and the passions , of fancy and will . Nothing , therefore , can be more absurd than the outcry which has been sometimes raised LECTURE 1. ] 9 ON POETRY IN GENERAL .
... folly . Poetry is , in all its shapes , the language of the imagination and the passions , of fancy and will . Nothing , therefore , can be more absurd than the outcry which has been sometimes raised LECTURE 1. ] 9 ON POETRY IN GENERAL .
Página 10
... fancy , the poet is not bound to do so ; the impressions of common sense and strong imagination , that is , of passion and indifference , cannot be the . same , and they must have a separate language to do justice to either . Objects ...
... fancy , the poet is not bound to do so ; the impressions of common sense and strong imagination , that is , of passion and indifference , cannot be the . same , and they must have a separate language to do justice to either . Objects ...
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absurdity admiration Æschylus affectation amusing appearance artificial beauty Ben Jonson blank verse Boccaccio character Chaucer circumstances comedy common critics delight describes Don Quixote double entendre dramatic elegance equal excellence face fancy feeling flowers folly genius Gil Blas give grace heart Hogarth Hudibras human humour idea imagination imitation instance interest kind Lady language laugh LECTURE lively look Lord Byron lover ludicrous Lycidas Lyrical Ballads manners Milton mind moral Muse nature never objects painted Paradise Lost passion person picture play pleasure poem poet poetical poetry Pope prose reader refinement ridiculous satire scene School for Scandal seems sense sentiment Shakspeare Shakspeare's sort soul Spenser spirit story style sweet Tartuffe Tatler thee things thou thought tion Tom Jones truth turn verse vice vulgar whole wild words