The Novels of Mrs. Oliphant: A Subversive View of Traditional ThemesP. Lang, 1994 - 343 páginas Margarete Oliphant (1828-1897) has long been decried as a conventional hack. This study shows that she was, in fact, an original and quite subversive writer, who radically re-interpreted traditional motifs and challenged values and ideals sacrosanct to the age. In her novels she turned upside down Victorian stereotypes of gender roles, marriage and family hierarchy, presented religious questions, death-bed scenes and the hereafter from a new and unconventional angle, and in her portrayal dispensed with models almost all of her contemporaries were content to follow. She deserves a permanent place in the gallery of nineteenth-century authors. |
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Página 114
... conventional happy endings . Oliphant's heroines are neither passive crickets on the hearth , nor frustrated rebels ; they are at variance with the established mod- els . This is not to say that the author in her more than a hundred ...
... conventional happy endings . Oliphant's heroines are neither passive crickets on the hearth , nor frustrated rebels ; they are at variance with the established mod- els . This is not to say that the author in her more than a hundred ...
Página 175
... conventional marriage of the heart to the aristocrat Rollo , who would have disavowed his middle - class wife and exploited her as a professional singer . Lottie's marriage should not be seen as an unhappy ending , merely as the ...
... conventional marriage of the heart to the aristocrat Rollo , who would have disavowed his middle - class wife and exploited her as a professional singer . Lottie's marriage should not be seen as an unhappy ending , merely as the ...
Página 306
... conventional subject matter to see it in a different light and to re - interpret stan- dard motifs . However , despite our interest in original solutions and the reversal of clichés , it must be conceded that not all the works that ...
... conventional subject matter to see it in a different light and to re - interpret stan- dard motifs . However , despite our interest in original solutions and the reversal of clichés , it must be conceded that not all the works that ...
Contenido
Introduction | 1 |
FORMAL CONSIDERATIONS | 17 |
17 | 51 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
Autobiography and Letters Beleaguered City Blackwood's Carlingford characterisation characters Church clichés Colby contemporaries Country Gentleman critics Cuckoo Curate in Charge daughter depiction despite Diana Trelawny Dickens Dissenters Doctor's Family Eliot Equivocal Virtue father feel female figures George Eliot ghost stories girl hero heroine House Divided husband idealised ironic John Drayton Junior Kirsteen Ladies Lindores Lady Car Leavis Lilliesleaf literary London Lucilla male Margaret Maitland Margaret Oliphant marriage Marriage of Elinor marry Mary Melvilles Merkland Minister's Wife Miss Marjoribanks mother motifs naive narrative narrator never Nonconformist oeuvre Oliphant's fiction Oliphant's novels Patty Perpetual Curate Phoebe plot poor Portrait presentation protagonist Q. D. Leavis Railwayman reader Rector religious role romantic romantic love Rose in June Salem Chapel Saturday Review Scottish sentimental Showalter social Spectator Stock Clarke sympathy Three Brothers traditional Tredgold Trollope typical Victorian fiction Victorian novel Williams woman women writers young