The Novels of Mrs. Oliphant: A Subversive View of Traditional ThemesP. Lang, 1994 - 343 páginas Margarete Oliphant (1828-1897) has long been decried as a conventional hack. This study shows that she was, in fact, an original and quite subversive writer, who radically re-interpreted traditional motifs and challenged values and ideals sacrosanct to the age. In her novels she turned upside down Victorian stereotypes of gender roles, marriage and family hierarchy, presented religious questions, death-bed scenes and the hereafter from a new and unconventional angle, and in her portrayal dispensed with models almost all of her contemporaries were content to follow. She deserves a permanent place in the gallery of nineteenth-century authors. |
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Página 79
... feel it , but it will not break his heart . And then the two who make up their minds to this step will live happy - more or less - ever after . What more is there to be said ? ( Old Mr. Tredgold , 48,450f . ) However , the choice that ...
... feel it , but it will not break his heart . And then the two who make up their minds to this step will live happy - more or less - ever after . What more is there to be said ? ( Old Mr. Tredgold , 48,450f . ) However , the choice that ...
Página 161
... feel comfortable . You are only a woman after all . You want your husband's arm to keep you safe . " ( At His Gates , 3,39 ) Of course , Helen's worries are all too justified ; Drummond ruins himself and his family , but avoids taking ...
... feel comfortable . You are only a woman after all . You want your husband's arm to keep you safe . " ( At His Gates , 3,39 ) Of course , Helen's worries are all too justified ; Drummond ruins himself and his family , but avoids taking ...
Página 265
... feel called upon to preach to posterity in the hour of death . But here , too , Oliphant is not primarily interested in Miss Dempster's last words , but rather in the dictatorial character she still evinces while dying , and her odd ...
... feel called upon to preach to posterity in the hour of death . But here , too , Oliphant is not primarily interested in Miss Dempster's last words , but rather in the dictatorial character she still evinces while dying , and her odd ...
Contenido
Introduction | 1 |
FORMAL CONSIDERATIONS | 17 |
17 | 51 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
able accept Autobiography and Letters Blackwood's Brothers called characters Church claims completely concerned considered contemporaries conventional course critics daughter death despite Eliot expected fact father feel female fiction figures frequently girl give hand happy heart heroine House human husband idea ideal interest ironic issues John Junior Lady less Letters literary living London look male Margaret marriage marry Mary means mind Miss Marjoribanks mother narrative narrator natural never novels Oliphant Oliphant's original Perpetual Curate Phoebe plot poor position presentation problems protagonist question reader refers regards religious remarkable role Salem Chapel Saturday Review scenes Scottish seems seen sense sentimental social Spectator stories thing thought Three traditional true turns typical understanding usually Victorian voice wife woman women writers young