The Novels of Mrs. Oliphant: A Subversive View of Traditional ThemesP. Lang, 1994 - 343 páginas Margarete Oliphant (1828-1897) has long been decried as a conventional hack. This study shows that she was, in fact, an original and quite subversive writer, who radically re-interpreted traditional motifs and challenged values and ideals sacrosanct to the age. In her novels she turned upside down Victorian stereotypes of gender roles, marriage and family hierarchy, presented religious questions, death-bed scenes and the hereafter from a new and unconventional angle, and in her portrayal dispensed with models almost all of her contemporaries were content to follow. She deserves a permanent place in the gallery of nineteenth-century authors. |
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Página 226
... learning Proctor in " The Rector " and Mild- may in The Curate in Charge , both of whom were Oxford dons before assuming a parish , cannot find the words to comfort the poor and the sick , thus failing in their mission . However , these ...
... learning Proctor in " The Rector " and Mild- may in The Curate in Charge , both of whom were Oxford dons before assuming a parish , cannot find the words to comfort the poor and the sick , thus failing in their mission . However , these ...
Página 245
... learning and sophistication not only to her fellow believers , but also to the Anglicans . Both are completely unfamiliar with the provincialism and narrow - mindedness of small- town Dissent . In the shabby shopkeeper standing on the ...
... learning and sophistication not only to her fellow believers , but also to the Anglicans . Both are completely unfamiliar with the provincialism and narrow - mindedness of small- town Dissent . In the shabby shopkeeper standing on the ...
Contenido
Introduction | 1 |
FORMAL CONSIDERATIONS | 17 |
17 | 51 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
able accept Autobiography and Letters Blackwood's Brothers called characters Church claims completely concerned considered contemporaries conventional course critics daughter death despite Eliot expected fact father feel female fiction figures frequently girl give hand happy heart heroine House human husband idea ideal interest ironic issues John Junior Lady less Letters literary living London look male Margaret marriage marry Mary means mind Miss Marjoribanks mother narrative narrator natural never novels Oliphant Oliphant's original Perpetual Curate Phoebe plot poor position presentation problems protagonist question reader refers regards religious remarkable role Salem Chapel Saturday Review scenes Scottish seems seen sense sentimental social Spectator stories thing thought Three traditional true turns typical understanding usually Victorian voice wife woman women writers young