How to Read Superhero Comics and Why

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Bloomsbury Academic, 2002 M09 6 - 216 páginas

Superhero comic books are traditionally thought to have two distinct periods, two major waves of creativity: the Golden Age and the Silver Age. In simple terms, the Golden Age was the birth of the superhero proper out of the pulp novel characters of the early 1930s, and was primarily associated with the DC Comics Group. Superman, Batman, Green Lantern, and Wonder Woman are the most famous creations of this period. In the early 1960s, Marvel Comics launched a completely new line of heroes, the primary figures of the Silver Age: the Fantastic Four, Spider-Man, the Incredible Hulk, the X-Men, the Avengers, Iron Man, and Daredevil.

In this book, Geoff Klock presents a study of the Third Movement of superhero comic books. He avoids, at all costs, the temptation to refer to this movement as "Postmodern," "Deconstructionist," or something equally tedious. Analyzing the works of Frank Miller, Alan Moore, Warren Ellis, and Grant Morrison among others, and taking his cue from Harold Bloom, Klock unearths the birth of self-consciousness in the superhero narrative and guides us through an intricate world of traditions, influences, nostalgia and innovations - a world where comic books do indeed become literature.

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Melancholy and the Infinite Earths
19
The Bat and the Watchmen Introducing the Revisionary Superhero Narrative
25
It is with considerable difficulty The Revisionary Superhero Narrative Phase Two
77
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Acerca del autor (2002)

Geoff Klock is the author of How to Read Superhero Comics and Why (Continuum, 2002) a study guided by Harold Bloom's poetics of influence. After getting a Masters degree in English he spent two years studying literature as a night security guard. He was then admitted to Balliol College, Oxford. His doctoral thesis there, Imaginary Biographies: Misreading the Lives of the Poets, focuses on Romantic poetry and its extensions through the 20th century- specifically poetry's bizarre and idiosyncratic portrayals of historical writers (e.g. Virgil in Dante's Divine Comedy). This work will be followed by a complementary study of the same device in popular culture, (e.g. Johnny Depp's portrayal of William Blake in Jim Jarmusch's Dead Man). Geoff Klock is twenty-seven years old, and was raised in Texas, where he attended the High School for the Performing and Visual Arts. For more information visit his website at www.geoffklock.com

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