Lectures on the English Poets |
Dentro del libro
Resultados 1-3 de 53
Página 5
It does not define the limits of sense , nor analyze the distinctions of the understanding , but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling . The poetical impression of any ...
It does not define the limits of sense , nor analyze the distinctions of the understanding , but signifies the excess of the imagination beyond the actual or ordinary impression of any object or feeling . The poetical impression of any ...
Página 117
As a proof of the exclusive attention which it occupied in their minds , it is remarkable that in the Essay on Criticism ( not a very long poem ) there are no less than half a score successive couplets rhyming to the word sense .
As a proof of the exclusive attention which it occupied in their minds , it is remarkable that in the Essay on Criticism ( not a very long poem ) there are no less than half a score successive couplets rhyming to the word sense .
Página 177
Swift's wit was the wit of sense ; Rabelais ' , the wit of nonsense ; Voltaire's , of indifference to both . The ludicrous in Swift arises out of his keen sense of impropriety , his soreness and impatience of the least absurdity .
Swift's wit was the wit of sense ; Rabelais ' , the wit of nonsense ; Voltaire's , of indifference to both . The ludicrous in Swift arises out of his keen sense of impropriety , his soreness and impatience of the least absurdity .
Comentarios de la gente - Escribir un comentario
No encontramos ningún comentario en los lugares habituales.
Contenido
LECTURE | 1 |
ON CHAUCER AND SPENSER | 31 |
ON SHAKESPEARE AND MILTON | 67 |
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
admiration affectation appear artificial beauty better character circumstances comes common critic death delight describes equal excellence expression face fancy feeling flowers force forms genius give given hand happy head heart highest hire hope human idea images imagination impression instance interest kind language leaves less light lines living look Lord Byron manners mean Milton mind moral Muse nature never objects once original painted pass passion perhaps persons play pleasure poem poet poetical poetry Pope present produced reader reason respect round seems sense sentiment Shakespeare soul sound speak Spenser spirit spring story style sweet tell things thou thought tree true truth turn verse whole wind wish writer