Lectures on the English PoetsJ. Templeman, 1841 - 407 páginas |
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Página 1
... language of the imagination and the passions . It relates to whatever gives immediate pleasure or pain to the human mind . It comes home to the bosoms and businesses of B men ; for nothing but what so comes home to LECTURE I ...
... language of the imagination and the passions . It relates to whatever gives immediate pleasure or pain to the human mind . It comes home to the bosoms and businesses of B men ; for nothing but what so comes home to LECTURE I ...
Página 2
... language which the heart hoids with nature and itself . He who has a contempt for vy poetry cannot have much respect for himself , or for any thing else . It is not a mere frivolous accomplishment ( as some persons have been led to ...
... language which the heart hoids with nature and itself . He who has a contempt for vy poetry cannot have much respect for himself , or for any thing else . It is not a mere frivolous accomplishment ( as some persons have been led to ...
Página 5
... language that can be found for those creations of the mind " which ecstacy is very cunning in . " Neither a mere description of natural objects , nor a mere delineation of natural feelings , however distinct or forcible , constitutes ...
... language that can be found for those creations of the mind " which ecstacy is very cunning in . " Neither a mere description of natural objects , nor a mere delineation of natural feelings , however distinct or forcible , constitutes ...
Página 6
... soul to external things as reason and history do . " It is strictly the language of the imagination ; and the imagination is that faculty which represents objects , not as they are in themselves , but 6 ON POETRY IN GENERAL .
... soul to external things as reason and history do . " It is strictly the language of the imagination ; and the imagination is that faculty which represents objects , not as they are in themselves , but 6 ON POETRY IN GENERAL .
Página 7
... language is not the less true to nature because it is false in point of fact ; but so much the more true and na- tural , if it conveys the impression which the object under the influence of passion makes on the mind . Let an object ...
... language is not the less true to nature because it is false in point of fact ; but so much the more true and na- tural , if it conveys the impression which the object under the influence of passion makes on the mind . Let an object ...
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admiration Æneid affectation artificial Ballads beauty Beggar's Opera blank verse Boccaccio character Chaucer circumstances common death delight describes dramatic Edinburgh Review epic poetry equal Eton College excellence fame fancy feeling flowers genius give grace hand happy hates hath heart highest hire human idea imagination instance interest Knight's Tale labour language light living look Lord Byron Lordship Lycidas Lyrical Ballads manners Milton mind moral Muse nature never o'er objects painted Paradise Lost passion pathos perhaps person pleasure poem poet poetical poetry Pope Pope's praise prose reader rhyme round seem'd sense sentiment Shakspeare sing song soul sound Spenser spirit spring storm of passion style sublime sweet sympathy thee ther thing thou thought tion Titian trees truth verse wind wings wolde words Wordsworth writings youth