 | R. Griffiths - 1772 - 632 páginas
...fentence to utter, but one moment toexhibit. He cannot, like a poet or hiftorian, expatiate and imprtfs the mind with great veneration for the character of...time that the faint was deformed, and the hero lame. * The painter has no other means of giving an idea of the dignity of the mind, but by that external... | |
 | Ralph Griffiths, George Edward Griffiths - 1772 - 628 páginas
...fentence to utter, but one moment t» exhibit. He cannot, like a poet or hiftorian, expatiate and ioiprefs the mind with great veneration for the character of...time that the faint was deformed, and the hero lame. * The painter has no other means of giving an idea of the dignity of the mind, but by that external... | |
 | Edmund Burke - 1773 - 590 páginas
...to utter, but one moment to exhibit, and cannot, fike the poet or hiftorian, expatiate, and imprefs the mind with great veneration for the character of the hero or faint he reprefents, though at the fame time he lets us know, that the faint was deformed, or the hero lame. It may, perhaps, be... | |
 | Sir Joshua Reynolds - 1778 - 346 páginas
...to utter, but one moment to exhibit. He cannot, like the poet or hiftorian, expatiate, and imprefs the mind with great veneration for the character of...though he lets us know at the fame time, that the laint was deformed, or the hero lame. The Painter has no other means of giving an idea of the dignity... | |
 | Sir Joshua Reynolds - 1778 - 360 páginas
...like the poet or hiftorian, expatiate, and imprefs the mind with great veneration for the chara&er of the hero or faint he reprefents, though he lets...know at the fame time, that the faint was deformed, or the hero lame. The Painter has no other means of giving an idea of the dignity of the mind, but... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 440 páginas
...to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate, and impress the mind with great veneration for the character of the hero or saint he represents, though he lets us know at the same time, that the saint was deformed, or the hero... | |
 | 1809 - 574 páginas
...to utter, but one moment to exhibit, and cannot, like the poet or hiftorian, expatiate, and imprefs the mind with great veneration for the character of the hero or faint he reprefents, though at the fame time he lets ш know, that ,the faint was deformed, or the hero lame. It may, peihaps,... | |
 | 1818 - 588 páginas
...to litter, but one moment to exhibit. He cannot, like the poet or historian, expatiate, and impress the mind with great veneration for the character of the hero or saint he represents. The painter has no other means of conveying an ideaof the dignity of the mind,... | |
 | Sir Joshua Reynolds, Edmond Malone - 1819 - 614 páginas
...to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate, and impress the mind with great veneration for the character of the hero or saint he represents, though he lets us know at the same time, that the saint was deformed, or the hero... | |
 | Sir Joshua Reynolds - 1819 - 610 páginas
...to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate, and impress the mind with great veneration for the character of the hero or saint he represents, though he lets us know at the same time, that the saint was deformed, or the hero... | |
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A Painter must compensate the natural deficiencies of his art. He has but one sentence to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate, and impress the mind with great veneration for the character of the hero or saint... 
