 | William Laxton - 1854 - 608 páginas
...much contribute. Grandeur of effect is produced by two different ways, which seem entirely opposed to each other. One is by reducing the colours to little more than chiaro-oscuro, which was the practice of the Bolognian schools, and the other by making the colours... | |
 | Edward Lacy Garbett - 1867 - 276 páginas
...painting says — " Grandeur of effect is produced by two different ways, which seem entirely opposed to each other. One is, by reducing the colours to little more than chiaroscuro, which was often the practice of the Bolognian schools; and the other, by making the colours... | |
 | Edward Lacy Garbett - 1876 - 264 páginas
...painting says — " Grandeur of effect is produced by two different ways, which seem entirely opposed to each other. One is, by reducing the colours to little more than chiaroscuro, which was often the practice of the Bolognian schools ; and the other, by making the colours... | |
 | John Burnet - 1880 - 116 páginas
...at first sight. " Grandeur of effect is produced by two different ways, which seem entirely opposed to each other. One is, by reducing the colours to little more than chiaroscuro, which was often the practice of the Bolognian school ; and the other, by making the colours... | |
 | Arthur Howard Galton - 1888 - 368 páginas
...much contribute. Grandeur of effect is produced by two different ways, which seem entirely opposed to each other. One is, by reducing the colours to little more than chiara oscuro, which was often the practice of the Bolognian schools ; and the other, by making the... | |
 | Sir Joshua Reynolds - 1905 - 564 páginas
...much contribute. Grandeur of effect is produced by two different ways, which seem entirely opposed to each other. One is, by reducing the colours to little more than chiara-oscuro, which was often the practice of the Bolognian schools; and the other, by making the... | |
 | Sir Joshua Reynolds - 1909 - 518 páginas
...very much contribute. Grandeur of effect is produced bj two diforcnt ways, which seem entirely opposed to each other. One is, by reducing the colours to little more than chiaro oscuro, which was often the practice of the Bolognian schools ; and the other, hy making the colours... | |
 | Joshua C. Taylor - 1987 - 580 páginas
...much contribute. Grandeur of effect is produced by two different ways, which seem entirely opposed to each other. One is, by reducing the colours to little more than chiaro oscuro,3 which was often the practice of the Bolognian schools; and the other, by making the colours... | |
 | 1839 - 348 páginas
...much contribute. Grandeur of effect is produced by two different ways, which seem entirely opposed to each other. One is, by reducing the colours to little more than chiara oscura, which was often the practice of the Bolognian schools ; and the other, by making the... | |
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Bolognian schools; and the other, by making the colours very distinct and forcible, such as we see in those of Rome and Florence; but still, the presiding principle of both those manners is simplicity. Certainly... 
