...two to three hundred lines, which he had nothing to do but to write down, "the images rising up ai' things, with a parallel production of the correspondent...without any sensation or consciousness of effort." The whole of this singular fragment, as it stands, consisting of fifty-four lines, wa• written as...

...from two to three hundred lines — if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions, without any sensation or consciousness of effect. On awaking he appeared...

...dreamed the poem, and only wrote down, when awake, what he remembered out of his dream. " The images rose up before him as. things, with a parallel production of the corresponding expressions." It is not nnusual to dream verses, to remember them is rare, to find them...

...than from two to three hundred lines, if that can indeed be called composition in which all the images rose up before him as things with a parallel production...the correspondent expressions, without any sensation of effort. On awaking, he appeared to himself to have a distinct recollection of the whole, and, taking...

...than from two to three hundred lines: if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,...

...vivid impression th^l, |»e had composed between DREAMING. 200 and 300 Hues. The images, he says, ' rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort. ' On awakening, he had so distinct a remembrance of the whole,...

...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,...

...lines ; if that indeed can be called composition in which all the images rose up before him as /kings, with a parallel production of the correspondent expressions,...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,...

...had the most vivid impression that he had composed between 200 and 306 lines. The images, he says, "rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort." On awakening, he had so distinct a remembrance of the whole,...

...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions, without any sensation or consciousness of effect. On awaking he appeared...