 | Francis Turner Palgrave - 1901 - 286 páginas
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Henry Duff Traill - 1901 - 224 páginas
...from two to three hundred lines — if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions,' without any sensation or consciousness of effect. On awaking he appeared... | |
 | Samuel Taylor Coleridge - 1902 - 162 páginas
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Jerome J. McGann - 1991 - 232 páginas
...the full text of "Kubla Khan," Blake seems the producer of poetical works "in which all the images rose up before him as things, with a parallel production of the correspondent expressions": words as images, words as things. In this respect, it is difficult to avoid the similarity of Blake's... | |
 | Eva T. H. Brann - 1991 - 828 páginas
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions, without any sensation or consciousness of effort" (in Lowes 1927, 356).... | |
 | 1992 - 312 páginas
...astounding quality of "effortlessness" in poetic creation is acknowledged in that, "all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort."100 So, super-natural "phantoms" are invested with a dynamic and a facticity that is often... | |
 | Jean Houston - 1993 - 348 páginas
...writing "Kubla Khan." Coleridge had taken some opium and fallen into a kind of sleep in which images rose up before him as things, with a parallel production...without any sensation or consciousness of effort. The subject, who was in trance during this discussion, delivered himself of a rambling and rather long... | |
 | Jack Stillinger - 1994 - 268 páginas
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his is pen, ink, and paper,... | |
 | Alfred Alvarez - 1996 - 324 páginas
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort.63 'Kubla Khan' is all images, all 'things' that Coleridge had absorbed in the course of his... | |
 | H. J. Eysenck - 1995 - 360 páginas
...than from two or three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking he appeared to himself to... | |
| |
The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called... 
