 | Samuel Taylor Coleridge - 1858 - 792 páginas
...lines ; if that indeed can be called composition in which all the images rose up before him as tilings, with a parallel production of the correspondent expressions,...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Leigh Hunt - 1859 - 466 páginas
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions, without any sensation, or a consciousness of effort On awaking, he appeared... | |
 | Forbes Benignus Winslow - 1860 - 796 páginas
...poetical description was founded, and was written down immediately on awaking ; " the images rising up before him as things with a parallel production...without any sensation or consciousness of effort."* In dreaming, the mind is occupied with the incongruous conceptions and fantastic combinations of images,... | |
 | Forbes Winslow - 1860 - 618 páginas
...the poetical description was founded, and was written down immediately on awaking; "the images rising up before him as things with a parallel production...expressions without any sensation or consciousness of effort."i In dreaming, the mind is occupied with the incongruous conceptions and fantastic combinations... | |
 | Samuel Taylor Coleridge - 1861 - 448 páginas
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1864 - 328 páginas
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Samuel Taylor Coleridge - 1864 - 720 páginas
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...without any sensation or consciousness of effort. Ou awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Samuel Taylor Coleridge - 1864 - 332 páginas
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent exThen all the charm Is broken—all that phantom-world so fair Vanishes, and a thousand circlets spread,... | |
 | Alexander Henley Grant - 1865 - 420 páginas
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Alexander Henley Grant - 1865 - 414 páginas
...; if that indeed can be called composition in which all the images VOL. II. Q 22G WHY FRAGMENTARY. rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
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The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called... 
