 | Samuel Taylor [poetical works] Coleridge - 1880 - 512 páginas
...indeed can be called composition in which all the images rose up before him as things, with a paraMel production of the correspondent expressions, without...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1881 - 592 páginas
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...correspondent expressions, without any sensation or conseiousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole,... | |
 | Samuel Taylor [poetical works] Coleridge - 1882 - 448 páginas
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | James Baldwin - 1882 - 632 páginas
...from two to three hundred lines; if that, indeed, can be called composition in which all the images rose up before him as things with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and, taking his pen, ink, and paper,... | |
 | 1883 - 528 páginas
...from two to three hundred lines ; if that, indeed, can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | William Benjamin Carpenter - 1883 - 816 páginas
...from two to three hundred lines, which he had nothing to do but to write down, " the images rising up as things, with a parallel production of the correspondent...without any sensation or consciousness of effort." The whole of this »iugular fragment, as it stands, consisting of fifty-four lines, was written as... | |
 | William Alexander Hammond - 1883 - 798 páginas
...from two to three hundred lines, if that, indeed, can be called composition, in which all the images rose up before him as things with a parallel production of the corresponding expression without any sensation or consciousness of effort. On awaking, he appeared... | |
 | Samuel Taylor Coleridge - 1884 - 312 páginas
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Samuel Taylor Coleridge - 1884 - 310 páginas
...hund_red lines ; if that indeed can be called composition in which all the images rose up before hhn as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Henry Duff Traill - 1884 - 218 páginas
...from two to three hundred lines — if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the corresponding expressions, without any sensation'or consciousness of effect. On awaking he appeared... | |
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The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called... 
